Edgar Heap of Birds

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Edgar Heap of Birds (Hock E Aye Vi) (b. 1954, Wichita, Kansas) (Cheyenne/Arapaho) creates art that includes multi-disciplinary forms of public art messages, large scale drawings, Neuf Series acrylic paintings, prints and monumental porcelain enamel on steel outdoor sculpture. Heap of Birds received his M.F.A. from Tyler School of Art, Temple University, his B.F.A. from The University of Kansas, and has undertaken graduate studies at The Royal College of Art, London, England.

Heap of Birds has taught as Visiting Professor at Yale University, Rhode Island School of Design, and Michaelis School of Art, University of Cape Town, South Africa. At The University of Oklahoma Professor Heap of Birds teaches in Native American Studies and Fine Arts. His seminars explore issues of the contemporary artist on a local, national and international basis.

Heap of Birds's critical reputation has been established most by his aggressively political and site-specific public signage projects. One example is Building Minnesota (1990), a signage installation mounted on the banks of the Mississippi River in Minneapolis, Minnesota and commissioned by the Walker Art Center. In it, Heap of Birds set forty large, metal, billboard-like signs along Minneapolis's downtown riverfront. The signs honored the forty Dakota men who were sentenced to death by Abraham Lincoln and Andrew Jackson after the US-Dakota Conflict of 1862, in what is considered the largest mass execution in American history.

Recently Heap of Birds created a fifty-foot signature, outdoor sculpture titled: "Wheel," as a signature entrance piece at Daniel Liebeskind's addition to the Denver Museum of Art. The circular porcelain enamel on steel work was commissioned by The Denver Art Museum and is inspired by the traditional Medicine Wheel of the Big Horn Mountains of Wyoming.

[edit] Awards

He has received grants and awards from The National Endowment for the Arts, Rockefeller Foundation, Louis Comfort Tiffany Foundation, Lila Wallace Foundation, Bonfil Stanton Foundation and The Pew Charitable Trust.

[edit] Books

Blasted Allegories, an Anthology of Artists Writings, New Museum-MIT Press, 1987.

Makers, Point Riders Press, 1998.

The Myth of the Primitive, Susan Hiller (Editor), Routledge Press, 1991.

Completing The Circle: Artists’ Books On The Environment, Minnesota Center for Book Arts, 1992.

Visit Teepee Town, Native Writing After the Detours, Dianne Glancy and Mark Nowak, Coffee House Press, 1999.


[edit] See Also

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